The End of the Line: Attitudes in Drawing, Fruit Market Gallery

Ana Ventura, Artist

Marks were made to surfaces that already exist.  

For instance, a sidewalk with splattered paint, a concrete wall with paint chipped away.

Source link here.

Joseph Beuys, Artist

Eurasia Siberian Symphony 1963

Joseph Beuys (German, 1921–1986)

1966. Panel with chalk drawing, felt, fat, taxidermied hare, and painted poles, 6' x 7' 6 3/4" x 20" (183 x 230 x 50 cm). Gift of Frederic Clay Bartlett (by exchange). © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Eurasia Siberian Symphony 1963 is composed from materials used during a 1966 performance, or “action,” by the artist at a Berlin gallery. Eurasia, the continental block that links Europe and Asia, evokes the fusion of Eastern and Western cultures, particularly resonant for Beuys in divided, Cold War Germany. The hare, with its quick jumps, suggests the ability to span long distances. The blackboard notes the degrees of the angles of fat and felt affixed to the poles during the performance and the temperature (42 degrees Celsius) of a high human fever. Fat and felt are essential components of Beuys’s “warmth theory” of art; he was deeply interested in the calorie’s role in the preservation of life and the insulating properties of felt.

Source is Museum of Modern Art

Luisa Rabbia, Artist, Italy

https://luisarabbia.com/work/

"Though Luisa Rabbia works in various media, the core of her practice resides in drawing." - source is The Brooklyn Rail, article by Stephanie Buhmann. Link here to read.

William Kentridge, Artist

Blueprint Relief, A Facility Which Provides a Blue Backdrop of An Old House

Greg sent this to me. Found here on Vizeer.com. Thank you Greg.

The Writing Is On The Wall

Maybe your drawing could be on the wall?

Liz Collini.  Link here.

Conversations

From the blog "she sees red".  Read about the work here.