Among his works, my favorite are Chauhan’s erased album covers. By removing the big picture on the cover, Chauhan leaves you questioning not what this object was, but what it now represents. In his ReRecord series, you are left with an eery collection of eyes, hair, and errant limbs all floating on cream-colored backgrounds. But what is curious is that in the end, though you know these were once record covers, you are merely interested in what is left of what you may have once known. The origin is irrelevent.
Source is Power Animals
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